This painting depicts a standing figure surrounded by drapery and a giant cat, all emerging from a purple ground. A comforter bends from the background toward the bottom left of the canvas. The wrinkled and layered appearance of the comforter gives the impression that time is folding into itself.

The events of the composition occur in an undetermined locale; the dark and shadowy tone of the work suggests a night scene or possibly a dream. In the top right, we find the cat’s glowing green eyes looking directly out at the viewer as it is being scratched by a floating hand. The work draws influence from artists like de Chirico in the shifts in scale and strange relationship between objects. These shifts and disturbances imbue the composition with a psychological weight and an air of mystery.

Hoza’s paintings tend to live between two states, such as sleep and consciousness or humor and horror. The artist's compositions suggest a disquiet or looming event underneath the stillness of a reclining figure. Visible traces of the artist's process in the completed painting adds to this unsettling quality. Ghosts from previous layers creep forward, charging the work with a turbulent effect and playful physicality. These works employ muted grays and explosive primary colors, along with a fragmented spatial quality, that draws from the work of artists such as Edwin Dickinson and the moonlit figures of Edvard Munch. Steadily reworking each painting over time, Hoza’s painted world becomes one of shifting planes and constant realignment. Each image works to express the possibility of meaning through the dissolution of figures within a painted space.