Meredith Sellers’ art uses the window to consider how we conceive both architectural and digital space. Acting as both a view out onto the world and a barrier from it, the window—and its descendant, the digital screen—act as portals or gateways in her work where borrowed images, often obfuscated, are forced to converse with each other to create new, enigmatic languages. By exploring systems of wealth, power, and violence in images from art history, the media, historical archives, and stock photography, Sellers’ art looks at the medium’s history and asks: Does painting enforce these images of power?