Liz Ainslie’s abstractions draw from her observations and memories of disparate elements such as 1970s interior decor, the upstate New York landscape, My Little Pony, and ancient Greek wall paintings. The artist first immerses herself in natural landscapes, where she makes drawings from observation. Then, she reworks them in her studio using photographs of architectural surfaces and patterns as additional references. These elements come together through a palette of colors harvested from both past and present.