Abdolreza Aminlari utilizes an array of material techniques in his approach to geometric abstraction. Angular motifs populate his works, which get imbued with references to traditional textiles and patterns and re-envisioned through a lens of modernist abstraction, forming a specific yet open-ended visual language. By incorporating vintage gold thread, paint, handmade paper, and clay, Aminlari’s practice explores ideas surrounding the transnational diffusion of domestic and factory labor while considering cultural production through the vantage point of lived experience.